At the end of times,
At the prolongation of the shade of shades,
When death no longer is discussed
Without the pondering on life,
Will there be one to call himself a poet?
The expanded metaphor is therefore to be
Swallowed by the shifting sands of pain.
As you were coming up, I barely saw you:
You were walking midst the drops of rain.
You spoke like one
Lamenting for the death of fate.
If you had loved the sky
As much as I did love the rain,
Would our space still lack
The gender and the number running empty?
You are agitated by, that much I know,
The common garden, engraved on the four rows of stones.
It is being soaked in four waters.
(Like the glory of the fathers graven on the long garment,
Where the world will find its rest.)
At the end of times.
You shall not stroll through it
Until you've counted all the grains of sand,
And the hourglass has stopped in you.
You shall measure the depth of yourself
By the four waters.
You shall find a rest on the four stones.
And when you say:
Take this body and don't bring it back
Until I'm truly worthy of it,
I will bring the first bucket.
Night after night, three times running
You shall be sad because of losing
Sadness.
The ray of darkness will dry your throat.
You shall gather water for the second time.
(Once you've entered, you're out.
The door is the same, with a two-fold profile.
Like the sun-wind
In the white sails of the waters,
They show refusal to return to the
Dullness of the surface.)
It will pour for the third time,
And you shall sing:
Eros, Logos, Kairos, Agape.
Four riders of Love,
Drenched with sweat and full of dust.
I await my second
Conscious shock.
I reflect upon the difference between
Number four and number five.
Once started, there's no end to it.
There's only time at the end of times.
Translated by the author
Na koncu časov, na podaljšku sence senc,
ko ne bomo govorili več o smrti,
ne da bi premišljali o življenju,
kdo bo sploh še pesnik?
Razširjeno metaforo bo pogoltnil
živi pesek bolečine.
Prihajala si, komaj sem te videl:
hodila si med kapljami dežja.
Govorila si kot ta,
ki objokuje smrt usode.
Ko bi ljubil ti nebo tako,
kot sem jaz ljubila dež,
bi bil še zmeraj najin prostor
brez spola in števila, ki se prazni?
Tebe, to že vem, vznemirja
skupni vrt, vklesan v štiri vrste kamnov.
Namakajo ga štiri vode.
(Kot veličastva očakov na dolgem
oblačilu, kjer bo nekoč počival svet.)
Na koncu časov.
Ne boš se sprehajal po njem,
če ne prešteješ zrn peska
in pesek ure se v tebi ne ustavi.
Globino sebe boš izmeril skozi
štiri vode.
Spočiješ se na štirih kamnih.
In ko boš rekel:
Vzemi to telo in mi ga vrni,
ko ga bom resnično vreden,
bom prinesla prvo vedro.
Noč za nočjo, trikrat zapored,
žalosten boš, ker boš izgubljal
žalost.
Žarek tème ti bo osušil grlo.
Drugič boš zajel.
(Ko vstopiš, si izstopil.
Vrata so ista, a z dvojnim profilom.
Kot sončni veter,
ki boči bela jadra vòd,
se kaže na njih neznana odpoved
vrnitvi k mrtvilu gladine.)
Tretjič bo drlo,
in pel boš:
Eros, Logos, Kairos, Agape.
Štirje jezdeci ljubezni,
preznojeni, prašni.
Čakam svoj zavestni
drugi šok.
Premišljam o razliki med
številom štiri in številom pet.
Ko končno začneš, ni konca ne kraja.
Samo čas je. Na koncu časov.